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As BBC One’s winter warmer, Lark Rise To Candleford, based on the novels by Flora Thompson and adapted by Bill Gallagher, continues, Olivia Hallinan, who plays Laura Timmins, tells Programme Information how her character has grown up and deserves to find true love.
In the last series viewers saw Laura mature into a young woman. Are there any big storylines and surprises in this third series?
“There are too many to mention! Laura has grown up a lot since the last series and has taken on more responsibility – she is more confident in herself. A journalist (played by Ben Aldridge) arrives in episode one and viewers will see the relationship between him and Laura develop through the series. They have their ups and downs, that’s all I am saying, but I do think Laura deserves to find true love.
“Some brilliant guests join us this year with some really exciting storylines surrounding them. Every script made me laugh and well up a bit. There are some hugely comic moments but be prepared for shocking and tragic ones, too. That’s what I love about the show, you can be laughing one minute and crying the next!”
How are Laura, Dorcas, Minnie and Thomas adjusting to having young Sydney living at the post office?
“Sydney is one of the family and has settled in nicely. Edward Darnell-Hayes who plays him is a lovely boy and we are all very protective of him. I think the character adds another dynamic to the family. He has an effect on Dorcas (played by Julia Sawalha) – she really takes on the maternal role and seems very fulfilled.”
Laura was seen as a sister figure to Minnie – what is her relationship like with Sydney?
“I don’t have too many scenes on my own with Sydney, but it is lovely when we have dinner scenes together as a family and we can all have a natter. Laura looks out for Sydney and is aware that he is still quite vulnerable. He helps us out in the post office sometimes, which is fun. Laura continues to take on a sisterly role with Minnie, looking out for her and offering advice – I love working with Ruby (who plays Ruby Bentall).”
Does Laura still have a strong relationship with her father, Robert, and the rest of her family in Lark Rise?
“Laura is, and will always remain, fiercely loyal to her family and her Lark Rise roots. Although her career is on the up and she is settled in Candleford, she relishes spending time in Lark Rise with her family. Robert is always there to offer advice and Laura has inherited the Timmins streak of defiance from him. They are both very strong willed but she would do anything for her father. Emma is aware that Laura has turned into a young woman and teaches her to stand on her own two feet a lot more in this series. Although she is always there when Laura needs her, she knows that only she can sort out certain problems for herself. Laura will do anything to make them proud of her because family is more important to her than anything.”
Young journalist Daniel Parish arrives in Candleford – what effect does he have on Laura?
“Laura is immediately taken with him. He is a journalist and she is fascinated by the fact that he is a real writer. Obviously, they share a passion for writing. I think she likes the fact that he is ambitious and has made such a success of himself and she certainly looks up to him. The relationship develops quite early on but, after Laura’s heartbreak over the departure of Fisher Bloom last year, she is definitely wary of getting hurt and does not want to rush things.”
Laura had started to develop her own style rather than wear hand-me-downs from Dorcas. What are her costumes like in this series?
“Better – I had more of an input this year. I think Laura is looking a little more sophisticated which reflects the change in her. I felt it was important that the audience see her as a more mature young woman as opposed to the rather naive and childlike Laura who arrived in Candleford two years ago. The costume designer has used more colours this year, too, which is great – I love dressing up. I have even got used to the corset this year – I’m going to feel quite lost without it.”
Why do you think viewers enjoy the show so much?
“It’s an hour of escapism every Sunday evening when it’s cold and rainy outside! Audiences like to be transported into the past and the period is fascinating. It looks beautiful and is very heart-warming.
“I think the characters are endearing and, most importantly, nobody knows what will happen next as opposed to most period adaptations that have a definite ending. Flora Thompson wrote about ‘the long-lost secret of being happy on little’. I think that is something that strikes a chord with modern audiences. Even though it is set so long ago, we still deal with the same moral dilemmas that many of the characters find themselves in today.”
You are filming for most of the year – are there any anecdotes from filming?
“It’s a seven-month shoot, which is crazy. All the weeks merge into one. We make sure we enjoy ourselves and we really are lucky to have the nicest cast and crew. There have been lots of rainy days – audiences would never guess when they watch it but the mud can drive us all mad sometimes. And my feet tend to freeze so I will let you in on a secret: I am well known for wearing my boots under my skirt! Sometimes I get the giggles, particularly in the post office. Mark Heap always has me laughing, as does Ruby (Bentall), her facial expressions are absolutely brilliant.”
BBC One’s winter warmer, Lark Rise To Candleford, based on the novels by Flora Thompson and adapted by Bill Gallagher, returns this week and continues to chronicle the lives of the hamlet folk of Lark Rise and the wealthier inhabitants of neighbouring Candleford. At the end of the last series, James Dowland (played by Jason Merrells), rode off into the sunset, leaving Dorcas, who owns and runs the local post office, to adopt his son, Sydney. Julia Sawalha, who plays Dorcas, tells Programme Information what the new series has in store for her character.
Why do you think Dorcas and Sydney formed such a close bond?
“I think what bonds Dorcas and Sydney is they both have a strong need to give and receive love. Dorcas has a tremendous ability to nurture, which is just what Sydney needs after being locked away and abandoned for so much of his life.”
At the end of the second series, Sydney was finding it hard to be a child, hence his nickname “Little Man” – does he come out of his shell more in this series?
“It takes Sydney a while to come out of his shell. He gradually becomes a little more free-spirited, but he is still reserved. He has nightmares, which means there is still a residue of unknown damage that Dorcas cannot tap into. It takes a child time to adapt and trust, but he is slowly finding his feet within the post office family.”
What do you enjoy most about working with Edward (Darnell-Hayes, who plays Sydney)?
“I adore working with Ted. He has a very dry sense of humour and has fitted in with everyone. He is a very astute and clever boy. He is well-mannered and works very hard. He is a natural professional. He takes direction extremely well. I haven’t once heard him say: ‘No, I can’t do that.’ He always has a go and does really well. He deals with the technical side of things brilliantly, which can be very daunting. He is also a naturally generous actor – he listens, looks you straight in the eye and instinctively responds. Most refreshing of all, he has hobbies outside of acting, he loves school and is not precocious in any way at all.”
There is very much a family feel on screen in the post office with Minnie (Ruby Bentall), Laura (Olivia Hallinan), Thomas (Mark Heap), Sydney and Dorcas – is there a similar dynamic between you all on set?
“We are a family in the sense that we have a strong bond as a group of colleagues. We know each other’s temperaments and how each individual likes to work, so there is a healthy mutual respect both on and off set between us.”
You’ve read all of Flora Thompson’s books – were they helpful in terms of context and characterisation?
“Of course a book is always helpful and if I lose my way and need to get a sense of Flora Thompson’s world I will often refer back to it. But once you are up and running with a well-oiled machine like Lark Rise To Candleford, the writers and directors give it a life of its own, which is rich with detail and plots.”
Is your portrayal of Dorcas or any of her mannerisms based on anyone you know?
“There are a few little things that I observed from a very special lady who owns a shop in Bath; in fact, it is my favourite shop in Bath, but I am not going to reveal who or where she is. That would not be fair on her.”
Is there anything you’ve always wanted Dorcas to do that she gets to do in this series?
“I have always wanted Dorcas to lose her cool, even for five seconds. In one of the episodes she buys a new cooking range, which she has trouble getting to work – and she does, for once, lose her rag. It was very odd performing it, because I thought, how does Dorcas do angry? It felt so wrong, and I felt so unkind shouting at Minnie and Laura, so it was indeed a challenge!”
Does Dorcas have any new costumes in this series?
“She does have some new frocks, though we are in series three so I have quite an extensive collection already but, as the more wintery episodes approach, some new ones will make an appearance. I bought my own hair combs/accessories from a little antique market in Bath. So everything you see in my hair is original; you never know, it may even have belonged to the real Dorcas Lane!”
Do you liaise with the costume department about the type of outfits Dorcas wears?
“I do liaise about my frocks. I am very lucky with costume designer Pam Downe – she is very receptive to suggestions and has a vast knowledge of the period. She has an incredible flare for texture, colours and tones. I absolutely love the whole process of looking through a book with her, she then shows me a sample of cloth, the next thing you know you are having a fitting with the maker, two fittings after that and around seven days later a stunning frock has been made.
“I try not to be too vain and want to be as authentic as I can regarding the costumes, but I don’t think it was a particularly flattering period, I can’t bear anything being too high up around my neck and I like to have a decent length train on the back of my skirt, which probably wasn’t practical for a post-mistress, but Pam has a wonderful talent for tweaking and adding things here and there which give the character’s clothes an individual style, whilst staying true to 1896.”
What do you enjoy most about working on the series?
“I just love doing costume dramas, I am very lucky, as I see myself as a part-time time traveller.”
What are your aspirations for Dorcas in the future?
“I don’t really think about the future for my character, though the writer is very generous and does always ask what my thoughts are. It is an ensemble piece, therefore, I feel the most interesting episodes for my character are when there is plenty of emotional conflict, whether that be that positive or negative between the other characters.”
Why do you think the series is so popular?
“I really don’t know why Lark Rise is so successful, it is not for me to say. The fact that there is social and emotional conflict is always fascinating to watch, especially as they are the same sort of things that we will experience in 2010. It is also pretty to look at. I like the fact that there isn’t a laptop or mobile phone in sight. A lot of people do say they like it because there is no violence in it, and it is something they can watch with their grandparents and grandchildren. But really, I don’t know, that is a question for our audience.”
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James Dowland, the handsome and charming hotelier rides into Candleford fresh from recent success in London. Guaranteed to turn a few heads along the way, Dowland is a man of mystery that a few of the residents may well already recognise. Speaking about his character Jason comments:
“Dowland is a self made man to a certain extent. He comes from Lark Rise originally as an orphan who was looked after by Queenie (Linda Bassett). Dorcas’s father was a bit of a philanthropist and gave the young Dowland, a silver thru pence, which was very key to his imagination at the time and he took that silver thru pence and left Lark Rise to find his fortune.
“I imagine that he made his living through livery stables, perhaps through the back of hotels, to the front of hotels and then slowly worked his way up, eventually managing quite a fashionable London hotel. Years later he decides he wants to come back and see where he came from and if he can make a name for himself there. So one day he literally rides into town with all these expectations and tries to make a go of things.”
There is also talk of an attraction between James and Dorcas, it there any truth to the rumour?
“I think he really sets his sights on Dorcas because she is the beautiful one; she’s very strong and really challenges him. They are constantly bickering over the way Dowland does things which can be quite fun to play.”
As the new kid in town, what was it like joining the cast and what kind of entrance do you make?
“I literally ride into town on a horse, which was great as one of my biggest dreams is to be in a Western! Without the frontier, massively dangerous gun culture and wide open spaces, Lark Rise could in fact be a Western.
“My horse was actually quite famous on set,” laughs Jason, “The only problem was that he was a falling horse, so I was warned that when the director yells action! the horse was trained to run and then fall! I think they were just winding me up and he was a lovely horse. I was allowed to do most things but not gallop, which is fair enough.”
After appearing in contemporary series such as Cutting It and Waterloo Road, what was it that appealed to you about doing a period drama like Lark Rise to Candleford?
“I watched the series last year and really like it. I thought it looked stronger and stronger as the series progressed and I am a huge fan of Bill Gallagher’s writing. I saw a drama he wrote called Conviction and that was just brilliant. I also really liked the character of James; it was a real gift to play.
“In terms of comparing period and modern drama, I don’t think people are that different, we’re far more similar than we allow ourselves to believe. One of my favourite costume dramas from recent years was the BBC version of Vanity Fair. I thought it was interesting for so many reasons, people weren’t acting in a particular costume drama way, as they used contemporary camera moves and it felt very fresh.”
He continues, “There are certain ways of behaviour and manners that are different, such as the way in which a gentleman has to stand. Slouching was not as prevalent or cool as it is now. Apart from that though the characters and stories aren’t so different – it was only 100 years ago!”
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Post Mistress Dorcas Lane decided to stay at the Post Office at the end of the first series.
However the joy was short lived as she said goodbye to two very special people in her life; Zillah (Liz Smith), her ever faithful maid sadly passed away, whilst Sir Timothy (Ben Miles) left for London with his wife Lady Adelaide (Olivia Grant).
So what is in store for Dorcas in the second series of Lark Rise to Candleford?
“Well Dorcas has got another love interest called James Dowland who is played by Jason Merrells. At first, they fight against each other because of his lack of understanding of the whole community.
“She finds it hard to understand where he’s coming from but there is also a romantic thing going on. She is attracted to him but she doesn’t understand why. Since losing Zillah, I think she wears her emotions much more on her sleeve – she’s much more vulnerable in this series.
“I miss not having Liz around, she was a fantastic person to have on set but this series, we’ve got a wonderful actress Ruby Bentall who’s incredible, she plays my new maid. It’s a lovely dynamic to have this younger maid in the kitchen that can’t do anything, and it’s made Dorcas realise how much she has learnt from Zillah. As much as you lose people you have wonderful replacements that bring in a new dynamic and a new energy and so the thing moves on.”
Does working on a period drama such as Lark Rise to Candleford presents challenges for an actor?
“There is a certain amount of etiquette involved such as not putting your elbows on the table, sitting up, and the way you walk, you have to take small steps. Sometimes in the stage directions you’ll read, ‘She runs down the street’, and Victorian ladies did not run! This wasn’t just out of manners, it’s physically impossible to run in a long skirt and a corset so you have to constantly remind yourself of things that they did and didn’t do!”
Julia, a veteran of period dramas, having starred in Cranford and Pride And Prejudice, has plenty experience of wearing corsets.
“I’m actually alright in the corsets!” she laughs, “I’ve got a bit of elastic around the side of them which helps me breathe although I do run out of breath in long speeches. There are days when it becomes a bit intolerable but it’s just like anything really. When you wear a tight pair of jeans it can become terrible sometimes. I think it helps you so much with character and helps you stand up straight and gives you a bit of grace.
“Corsets come in all different shapes, and I would say this is possibly the most restricting one I’ve worn. Some corsets are soft corsets, like the ones in the Pride And Prejudice period. They would push your boobs up but wouldn’t pull you in because you’ve got the A length dresses. But I think in this period, about five years before 1896 they were aiming for a 21 inch waist!”
The first series of Lark Rise to Candleford brought in around seven million viewers each week, what kind of reaction have you had from fans?
“The reaction has been incredible. The letters I’ve had from people are the nicest letters I’ve ever had. People have gone out of their way to write, saying: ‘I wouldn’t normally write this letter but what Dorcas went through I have been through…’
“Even in the street what most people say is that they’re so pleased there’s no murder and no violence and I think that’s the main crux of it. It’s just easier on the eye, easier on the ear, gentle drama, which looks at people’s relationships. People had the same relationships then as they do today, except we’re wearing different costumes. We have our fights we have our heartbreaks, we have our happy moments.
“This all makes my job worthwhile because it means that I’ve helped someone escape in some way for an hour and understand their own emotions and that’s a huge compliment to me.”
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Reprising the role of Laura Timmins, a Lark Rise girl who moved to Candleford to work with her cousin, Dorcas Lane, Olivia Hallinan reflects how much Laura has changed since she first arrived at the Post Office as a naïve and innocent young girl:
“Laura has definitely grown up. She’s grown in confidence and takes on a lot more responsibility in this series. Dorcas watches Laura grow as she flourishes in her relationships and people skills and shes quite proud of what she has achieved.
“I think the arrival of Minnie played by Ruby Bentall is really interesting as it forces Laura to take on a much more responsible role and Dorcas gives her more freedom.
“It’s been great having Ruby join the cast and I think Minnie is such a great character that the audience will love. She is hopeless to start with and Laura gives her advice and really looks after her just as Dorcas previously did for Laura. Seeing Minnie makes Laura realise just what she’s got and how lucky she is to have her family in Lark Rise.”
Ruby Bentall is not the only newcomer to the cast; Jason Merrells joins as the new hotel owner, James Dowland:
“Jason Merrells, has been great to work with as well. Laura sees what he has made of himself coming from Lark Rise and realises how far she has come. Queenie looked after Dowland when he was a boy so there’s a good relationship between the Lark Risers and James.
“Laura is quite wary of him at first, because of his interest in Dorcas. She’s always fiercely protective over Dorcas, so when a guy comes along Laura is looking out for her – they always know when each other are upset or down about something.”
At the end of the first series Laura was left heartbroken by Philip as he betrayed her trust, so will there be a new love interest in this series?
“Laura falls head over heels in love with a man called Fisher Bloom (Matthew McNulty). He comes to Candleford to make a clock and Laura falls well and truly for him.
“Laura can be quite serious, she takes her job very seriously which is good but she can also be very sensible. Fisher makes her realise that there’s more to life than being the best at everything, being in control and being perfect, which is really good for her.
“There’s an episode where Dorcas gets ill and Laura has to take on more responsibility, she keeps saying to herself, I can’t fail, I can’t fail! Fisher lets her know that it is alright to fail sometimes. He brings out the young girl in her.”
The costumes in the first series were beautiful, having just finished filming a second series have you got used to wearing them day in day out for seven months?
“Yes, it’s a long shoot and I’ve got used to the corset now. It was hard to start with but you learn to deal with wearing it 12 hours a day, your body adjusts. I still get corset rage a lot! You’ll be fine and then you get a sharp stabbing pain and you know you have to get it loosened – especially after a big lunch!’
“Laura’s wardrobe has changed this series by becoming more colourful, more girly. Previously she was wearing hand-me-downs from Dorcas and now she’s developing her own style.”
The second series filmed in Bath and Bristol, what was it like second time round?
‘Bath is such a beautiful and stunning town. You can begin to take the place for granted when you’re staying there for so long but it’s great place to be and it was great that all the cast lived so close to each other too.
We had our local pub and went out for lots of meals together, hence the corset rage! There was a real sense of, all in it together and it was lovely that we were all neighbours.
“I went to the new shopping centre with Claudie Blakley and Brendan Coyle who play my parents and the reaction we got was unbelievable! People were really nice about the show. The reaction has been really positive and some people know more about each episode than I do. I just hope people like this series just as much.”
Summing up why she thinks Lark Rise To Candleford was so loved?
“Lark Rise To Candleford is a heart warming, tender, visually stunning and it’s the perfect Sunday night viewing. There will be things that you won’t expect in this series – the audience will see Laura worked up in state at some points, which I think could surprise people. You see the hardships as well as their closeness of the communities which I think is what the audience really liked.”
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Julia Sawalha is Dorcas Lane
Olivia Hallinan is Laura Timmins
Jason Merrells is James Dowland
Brendan Coyle is Robert Timmins
Claudie Blakley is Emma Timmins
John Dagleish is Alf Arless
Mark Heap is Thomas Brown
Linda Bassett is Queenie Turrill
Karl Johnson is Twister Turrill
Matilda Ziegler is Pearle Pratt
Victoria Hamilton is Ruby Pratt
Sandy McDade is Miss Ellison
Ruby Bentall is Minnie
Head of Drama Series & Serials – Kate Harwood
Executive Producer – Sue Hogg
Executive Producer/Writer – Bill Gallagher Producer – Annie Tricklebank Production Designer – Martin Boddison
Director of Photography – Mark Partridge
Costume Designer – Pam Downe
Make-up Designer – Stella O’Farrell
Composer – Julian Nott

The Pratt sisters run the women’s clothing store in Candleford. Neither is married and they spend most of their time running a critical eye over other people’s affairs.
Pearl is the elder sister and takes the lead in ensuring that the highest standards are maintained in their shop and in the town as a whole – while her younger sister Ruby is always quick to back her up.
The sisters immediately turn their noses up at Laura when she arrives from Lark Rise as she lacks refinement in their eyes – unlike the graceful Lady Adelaide, whose (more…)

Candleford:
Zillah
Zillah is Dorcas’s servant.
Zillah has known Dorcas since she was a child, and worked for her father, and her grandfather before her. Nobody could love Dorcas more than Zillah, and she also considers Matthew and Thomas as part of the family, not that this stops her grumbling about all three of them and the work they create for her. Zillah is naturally suspicious, she doesn’t warm to strangers, and anyone new has a tough time earning her trust. But once she accepts you, you’re a friend for life. Zillah is also a terrible gossip.
Thomas Brown
Thomas is Dorcas’s head postman.
Thomas is a devout Christian, a teetotaller and non-smoker. He has worked for Dorcas since he was a young man and is devoted to her, if occasionally frustrated by her decadence and lack of piety. Thomas has a reputation for lecturing and sermonising – people have been known to run in the opposite direction when they see him coming in case he starts asking impertinent questions about their souls. He is convinced that eventually he will succeed in converting all his friends, even Dorcas. And until that day he will not rest. Thomas can take his obsessions to extremes, but he’s no hypocrite, he practices what he preaches, has a true heart and an unswerving loyalty to Dorcas.
Matthew Welby
Matthew runs the forge for Dorcas.
Matthew is a silent but powerful presence at the forge. Like Thomas and Zillah, there’s nothing he wouldn’t do for Dorcas but he’s perhaps a little more aloof from the goings on in the Post Office than the other two. Matthew has an amazing gift for working with the horses that are brought to the forge – even the most nervous animals quieten immediately when approached by Matthew. He says it’s just a matter of speaking to them in their own language. Matthew says little, but when he speaks others know to listen.
Lady Adelaide Midwinter
Lady Adelaide is married to Sir Timothy Midwinter.
Lady Adelaide’s family made their money in trade, so marrying Sir Timothy was a step up for her into society. But life in Candleford hasn’t proved to be entirely what she’d anticipated. It’s a world away from the balls and parties where she first met Tim. So, until they start a family, she has few distractions. For the residents of Candleford and Lark Rise, Adelaide’s a less approachable, more remote figure than Sir Tim. But they respect her and warm to her as his wife. She brings a touch of glamour to the town, she’s graceful, beautiful and stylish, and to outsiders her life is to be envied.
Philip White
Philip is Sir Timothy’s assistant gamekeeper.
Philip’s father is head gamekeeper on an estate near Oxford. He worked for his father before taking up the position of assistant gamekeeper with Sir Tim on the understanding that when Tim’s head gamekeeper retires, Philip will take his place. He’s still close to his mother, father and sister and is proud of the fact that his father’s estate is owned by a nobleman with an historic title – he makes it very clear that it is larger and better preserved than Sir Tim’s. Philip is a couple of years older than Laura.
Lark Rise:
Edmund Timmins
Edmund is Laura’s brother, he is still at school.
Edmund is younger than Laura by three years, but the two are very close. He’s a gentle, thoughtful boy, but no wimp – popular at school, and well able to fight his own corner. He often clashes with his mother, particularly over his future, perhaps because they are equally stubborn. She wants to see him apprenticed to a trade, but Edmund dreams of joining the army and seeing the world.
Queenie Turrill
Queenie lives with her husband Twister next door to the End House.
Queenie is one of Lark Rise’s older residents and in many ways is the matriarch of the village. As well as looking after her bees, she gives support and advice to the mothers and children of Lark Rise. Queenie’s age means she is more in touch with the old country ways of doing things. She cares about the values and the superstitions of the old days and would like to see them passed on to the next generation.
Twister Turrill
Twister is Queenie’s layabout husband.
Twister is Queenie’s husband, and he is not the brains of the marriage. He can usually be found in the Wagon and Horses pub telling jokes and stories with the men of the village though, more often than not, he finds that the jokes are on him, as he is sometimes forgetful and a little slow-witted. Despite this he is well-liked figure in the community and the other residents know that his heart is in the right place.
Paxton
Mr Paxton runs the Wagon and Horses.
Mr Paxton runs the pub in Lark Rise and enjoys the position this gives him at the centre of the community. He is never short of an opinion on any subject being discussed by the men in the pub. His favourite topic of conversation is criticising the Candleford folk, who he thinks are always looking down on Lark Rise.

Alf is Caroline Arless’s eldest son.
He left school early to help provide for the family. Unlike his mother he is extremely honest and hard working. He is only a boy himself but is responsible for earning the majority of the family’s money by working in the fields. It pains him to see his mother fritter his (more…)

Caroline is one of the Timmins’ neighbours. She is married to Walter who is away at sea. They have four children, and another on the way. Caroline is easily the biggest and most controversial character in Lark Rise.
Her husband, Walter, has gone away to sea, leaving her to care for her ever-growing brood. But Caroline doesn’t let this get her down. She may not have much money but what little she gets she spends in style – treating herself to barrels of beer and steak (more…)


